Pieza compuesta por dos sonidos, uno grave y uno agudo, en el cual el primero marca el pulso y el segundo la clave. Piece made with tow sounds, one low and one high. The first one marks the pulse and the second one the compasses.
Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.
Pieza compuesta por dos sonidos, uno agudo y uno grave, en el cual el primero marca el pulso y el segundo la clave. Piece made with two sounds, one high and one low. The first one marks the pulse and the second one the compasses.
Pieza de tres sonidos, uno grave, medio y agudo, inspirados en la clave africa rumba. Piece with three sounds, one high, one mid and one low, inspirited in an african compass.
Playing my keyboard, slow notes. Used it for background for narration of a video about the universe. With this sequence i portrayed the light travelling through the universe.
This is two soliton combs (sech pulses) with a beat frequency for half-bar oscillation at 130 bpm. Use it in techno. It was generated directly from python code.
Took a sample of a tr909 kick drum, stretched it, added some reverb, bass boost, compression split the track and offset it slightly to create a left to right pulse.
This is the sync pulse generated by the monotron that is used to sync it's clock to other monotrons. If you send this to your monotron via computer software sequencer (daw), you can sync the monotron to your host sequencer (i've been doing this with ableton live). It works great.
An other attempt at making a wind noise, by layering different noises and fading between them. This one sounds like there's a helicopter in the background.
This is a fixed up version of http://freesound. Iua. Upf. Edu/samplesviewsingle. Php?id=32731. I have removed the background noise for a cleaner sound. Credits go to herbertboland for the original sound.
Recording of live kick drum that was gently hand-tapped with a plastic club. Recording was then reversed and processed through compressor, eq, flanger, gentle distortion and slight reverbation, to produce something almost but not quite entirely unlike an approximation of the beating of a human heart.